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exhibition opens. Reflex

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The General Archive of the Nation is honored to invite you to the exhibition Aurelio Escobar Professional Photographer.

honor Opening and Wine November 4, 2010, 12:30 hrs. David Alfaro Siqueiros Sala

RSVP Tel 51 33 99 00 Ext 19420

As part of receiving the "Photo Gallery Aurelio Escobar Castellanos, the Archivo General de la Nación (Mexico), organized a small exhibition. While Don Aurelio work covers a broad time period, 1906-1964, the vicissitudes of life have failed to protect a file that includes professional development holistically.

Same File General's Office, on your "Artistic and Literary Property, retains some of the records made payable to" HJ Gutiérrez ", mostly the work of Aurelio Escobar Castellanos.

Anonymously, or without proper attribution, in other funds within the same institution as well as other trails are appearing Mexican photographer.

The contribution made by A. Escobar Mexican photography as a witness of the revolutionary period, is in itself enough to be remembered and appreciated. But in the present case, the new addition to the AGN is a fundamentally different file ... "Panoramic Photography."

The new collection puts the AGN within institutions worldwide, the richest in photographic format. The complete catalog will be released in the near future, work in which the AGN staff has dedicated his efforts during the year 2010, having committed to digitize the entire collection to make it available to researchers.

Similarly, the personal name I invite you to visit the first institutional effort to recognize Aurelio Escobar Professional Photographer.

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or View, II.

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On Thursday March 26, 2009 published reflection "Reflex or View ", considering some of the differences between both types of cameras in the early twentieth century. On the occasion of the Centennial celebrations of the beginning of the Mexican Revolution in 2010, there have been a number of new publications on the subject, the most recent June 2010, "The first great revolution of the twentieth century, Mexico 1910.1921, an imaginary of the Mexican Revolution Guillermo Tovar de Teresa, editorial process ", as many of you have to know" Process "is a magazine of political content arising from the public on 6 November 1976, made to reporters expelled from the newspaper" Excelsior " July 8 of that year, and in this case sponsor editorial. The coordinator of the book was by Guillermo Tovar de Teresa, and the script Miguel Angel Berumen iconographic.


The trend shown by Berumen at other times, again we see a space dedicated to honor the first Mexican photojournalists, pages 116 and 118, in fact the last two pictures in the book. Both raised as complementary and very ad hoc "Reflex or View."

These two points during the inauguration of the first stone of the monument to Giuseppe Garibaldi in Colonia Roma, Mexico City, in September 1910, reference is not on your feet picture, but the picture on page 116 we see a small Italian flag with the coat of the House of Savoy. Present the Lord President Don Porfirio Díaz Mori, and the Federal District Governor Mr. Enrique C. Creel.

The caption is: "A tight group of photographers at the side of President Diaz, among them Agustin Victor Casasola. The image is signed by Ramos (Manuel) and he is not surprised that their colleagues who remain attentive to the movements of the agent. However, the second picture, on the next page, the more surprising because this is not the first photographer row and like Ramos, also pays attention to his colleagues that portray the president. "


President Diaz appears almost face on camera, head tilted slightly to the left, in that direction about centimeters from the representative of Italy read a paper held between two hands, frowning Diaz, resentful of the sunlight that rush from the front, but probably did not hear so well and puts his ear in a better position, three people had their right has lagged Federal District Governor, just as his body language indicates attention to the speaker. Unlike

the caption placed by Berumen, Agustin V. Casasola, central group of three photographers, Garduño to his right, and another unidentified photographer they talk to each other. The third companion could be a foreign envoy, for his remarkable height and made to appear Garduño Casasola short, behind him without even reaching the shoulder is made to the photographer Jerome Hernandez, fully backs the event, is speaking Casasola and others listen, to say ... Let

turn the page, "The photograph reveals the position of Ramos who we see at the bottom with your camera. Beyond being a tribute the photojournalists, this set of photographs, where the photographers are portrayed from the front almost simultaneously, somehow unravel the mystery that is traditionally hidden in the off-field. "


The second image is the editorial position but also temporary, the event is over. Manuel Ramos hopes, is the cloth to darken the viewfinder on his shoulders, and his right hand still holds the tire of his camera shutter, while the other hand hold to move it, the slope of the same sample that the leg hidden from the tripod and not touch the ground.

other hand reveals a mystery why many of the photographs of Ramos have a high visual horizon if your height was not so, he and the camera are on a wooden platform, 20 or more inches of additional height. Behind the platform waiting for a little with two hats, one is the classic model selected by Ramos ... who is the other.

few feet in front walking toward the viewer is the photographer Abraham Lupercio, hatless, be gone with Ramos to say something ... on your right and in front of another young assistant holds the camera, tripod and was retracted and folded, ready for packed.

President Diaz is removed, find the space for walk looking down, Casasola and his group are in the front row and can trigger their cameras for a last shot, Augustine is the first to detect the movement and move forward, while Gardiner is at the bottom of the other two, and can not focus, raise your Reflex camera but his teammates are too high, just does tilt up, losing the right angle.

More to the left is another photographer who had not detected, way back, raises a postcard format camera View all he can hope to catch something, just to get to his lab know.

The camera is of the Nettle, and not popular Kodak A3 or A4. Advantages, a rectangular bellows that allows larger diameter lenses, and interchangeable front panel, thus using different targets in the same body, two things that can make the Kodak model. Almost

scene leaving a boring close aide covers his face with his hat, while charging in the case of a camera.

The surprise of the day, at the far right in the middle stage is sighted 8x10 View Camera in folded form, it is Aurelio Escobar C.

And the author of the image in a high position, do not know who it is, because nobody got it ...

In a vividly see the benefits and disadvantages of both types of cameras, SLR cameras need to be in front row, Garduño Reflex Camera 5x7, is so great that probably did not reach a good decision despite the effort, the large format cameras View do not try, they enjoyed a better position despite the distance, but lack of space to maneuver left out of action for an impromptu move, finally View small format perhaps get their tasks, and now do many photojournalists.

is pertinent to stress the importance of accreditation and recognition as a photographer for the authorities, after the motley group of guests around President, we see a military cordon and after a gap other military cordon, and then the rest of society.