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eggs.

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I found this picture of the U.S. occupation of Veracruz in 1914, well suited to our newest item, the expertise to make an image, and the match.


For the Mexican double meaning in words is normal, including an art, the gamble, compliments, puns, riddles, the sexual connotations are introduced everywhere, may be pure coincidence ...
eggs
The store was already there, anyone taking the stage had come across the sign, but at the same time could avoid; the left perched on a platform is a photographer, in their decision not appear the sign. Even a Mexican

see the image with the sign "Store eggs" is a clear message, and the white uniforms dominate ...

anonymous photo. For the numbering and printing it could be authored by Hadsell, and if so there would be such a coincidence rather intent.

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Master.

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deliveries in our past two issues we have dealt with insistence, the photograph of Emiliano Zapata in the hotel Moctezuma, and photographs by Hugo Brehme during the Mexican Revolution, both closely related.

There is no clear explanation of why in a moment the photograph was credited to Brehme Zapata, appearing to be an arbitrary decision, then dispose of its portfolio in a manner not entirely convincing. Within the corpus

accredited Brehme, there are other pictures of Zapata, or related to its presence in the hotel made Moctezuma, and very probably all belong to the same historical moment ...

Zapata's photograph in the hotel Moctezuma, is not a simple image, and the statement did not take into account the value iconographic currently holds. As regards the large set of images created during the Mexican Revolution, this is equipped with a special rare. It is created like a painting, is created conceptually and artistically, it is left to chance, not a snapshot.

The subtlety of its elements, the grace of his composition, and depth of its meaning, whether the current or the time of its creation, leading to the degree of "masterpiece" to a "work of art. " There

donkey play the flute ... and in areas such as contemporary music artists see the existence of a one hit ...

In my point of view, is not the case, the unknown photographer of which only have a work have to rule, you need a technical operator and intellectually gifted. Is too complex to simply be random. Recently attributed to analyze a photograph taken Brehme in the port of Veracruz with a similar complexity, a seemingly haphazard staging is reinterpreted unconsciously, through the cultural background in a few seconds to capture it artistically composed, is an eye trained visual hunter, and a sensitive spirit. That, even with innate talent, can only be achieved with the daily actions of the experience, what we call "expertise."

take another case:


At first it seems an image dark and confusing in its content, does not hit all at once as it could be a landscape or a portrait, this motley element and is just that your point interesting format zip.

what is where, when, and why?

looks like a photo lab, there are cameras, tripods, chassis, frames, photographs, chemical, etc., And two people involved at work, one observes a negative leaning on the light reflected from a mirror, the other is filling what looks like a book.

Who is the lab?

The image at first glance can be deceiving, and reflective analysis can only give an approximation to the truth. On the left side wall is a dark box with digital manipulation and working with a very good resolution copy of recovering some of its contents: "English Hotel" ...


So this is not a laboratory not in the strict sense, is a mobile laboratory installed in a hotel room, again ask where. Let us take another track, among things grouped in the bottom left clearly recognize a picture of Venustiano Carranza, through a door we can glimpse another room, giving us a chair on her face a portrait of Álvaro Obregón. In November 1914, Carranza holds a conference at the French Hotel de Orizaba, with the commissioners of the Convention including Obregon Orizaba Hotel was also a English ... you can try to contemporary circumstances.

There is a section of the symbolic image of a very particular, three boxes form a triangle, its base resting to the horizontal. The lower left box Carranza is the portrait, mounted in a frame of dark color warp. The bottom right is an empty frame, probably gold, through it we see two chassis for 8x10 negatives. The third box at the top is a portrait of Obregón, unframed partially corrugated paper between rolls, or perhaps other impressions.

can be a haphazard composition, may be intentionally, but in one way or another bring together the heart of the whole image is the central element compositional triangle, so the picture is taken. The Devil's advocate might argue, just trying on the flash ...

With information at our disposal in 2010, we interpret in a given visual set in 1914 what was intended. The gold frame is Bacchante, representing the presidency ... if Obregon in the dark but well placed in the chair ... Carranza is framed in black ... a premonition ...


We can find many more elements and relate to each other, in the left is a table with bottles of chemicals and a picture with gymnasts, or Greco-Roman wrestlers, the triangle we can transform into diamond with a portfolio in the lower corner, shapes, size, elements, position, motion guidance , areas compositional intentions space, etc.

the same way that a text we can interpret and reinterpret independently of its creator, including extracting information that the writer did not swear that there, given that much artistic expression is dominated by the unconscious, expounding on ease, so a picture, painting, sketching, drawing, photography, film or even sculpture, is subject to the same treatment, we do not intend to make this philosophy of any image, as you can not get any papers.


Today begins to give a value of historical documents to photography, and not merely illustration, to transform the image into the document we need her to talk and therefore the creator of simple photographer can transform a historian, or intellectual. Not only as recently mentioned, "the photographer taking sides", some had the ability to express themselves politically through photographs. Having a difference between a photographer taking sides for economic reasons, friendship, or chance to be trapped in a zone of influence, and so who went from being a spectator agrees to participate with their own tools ...

Miguel Angel Berumen historian in his book "1911, the Battle of Ciudad Juárez" analyzes a picture taken in front of the adobe house, Madero and his caretaker cabinet, flame staging ... he or photographers are just tools or have the ability to determine the action.

Just as an architect was commissioned a work, giving you a list of needs and areas of employment, as in the field, and he makes the decision on how to shape it. Could well occur with the photograph, or occurred. Francisco I. Madero was able to distinguish the benefits of advertising images, while wary of photographers who not only saw everything ... I also heard, and could interpret a glance, a gesture, the attitude body, the position of things, to the clear dark.

The aim of reflection is to expose other photographer, acting, voice, with artistic and intellectual creativity. Surely needed to survive a rigorous moral code, as a psychologist, a lawyer, or priest in confession. One type of photographer who can not be called "apolitical", but sometimes could be a skilled political analyst more than militant.

many of them had they acted with such freedom, do not know, but there is evidence of more than one.

We have not mentioned the author of the picture Lab: Aurelio Escobar Castellanos.

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Hugo Brehme, Part III. One morning in the port.

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To continue the iconographic analysis of Hugo Brehme and U.S. intervention in Veracruz, remitámonos the creator of the catalog "Hugo Brehme and the Mexican Revolution"

"That fact highlights an image of great violence implicit in that desolation notes prevailing around the Fortress of San Juan de Ulua, American ships anchored national waters and, in the foreground, an American flag hoisted on Mexican soil. "Note originated by Notimex.
The publication
exhibition catalog image found on page 108, with the caption: "American Flag in San Juan de Ulua, Veracruz, Veracruz, April-November 1914." In the current exhibition at the Museo Franz Mayer, is an amplification of large-format original.

On page 14 it tells the fact: "Also in this period produced a remarkable image of violence implied, with the American flag atop the mast, from a bleak view of San Juan de Ulua: the invasion was imminent consummated. "

The same image was used by the researcher Mayra Mendoza, in his article published in Alchemy No. 37, September December 2009, "1914. From Veracruz to Mexico City through the eyes of Hugo Brehme, and theme of the conference scheduled for Wednesday, November 17, 2010 in the Biblioteca Miguel Lerdo de Tejada.

first thing we need do is look carefully at the image on the right, the tower of the fortress of San Juan de Ulua, dividing the Golden Ratio composition in vertical, left the flagpole with the American labarum; Looking to the port is before noon, the Yankee insignia was raised for the first time on April 27, 1914 at 2 pm.


This image to be scanned from the book, suffers a distortion by the curvature of the leaves, so the space between the mast and the tower does not appear square, as indeed it is.


In the background the floating dry dock and left the dark figure of the protected cruiser, or sometimes also called armored cruiser Emperador Carlos V, the very name indicates its English origin, and is a veteran of old unit English-American War of 1898. During the landing of 21 and 22 April, was the only foreign military unit of the U.S. except in the bay, the rest were withdrawn for safety, and even boats came between aggressors to stop the bombing, so it was a rumor of sinking, the fact widespread in the Fair, The Courier English in the days following request of denial, but some of the sailors had to witness the shootings hidden in the store at Arista streets and Landero.

Postcard, Cruise Carlos VL Roisin, Photo, Barcelona. 1906 ca.

A little more in depth and right the French cruiser Descartes, on April 21 was anchored in Veracruz, in La Revue maritime, is published by the French navy in 1934, reports that in May 1914 Descartes cruiser parked in the port of Tampico, Veracruz and Condé in Montcalm was spent touring the Mexican coast. In July he participated in military coverage that the French did in Haiti, to Aug. 28 next to Conde joined the hunt for German ship SMS Dresden, and later was based on Martinique. During December the American steamers San Juan, Coamo and Carolina, were arrested at sea by Descartes, taking as prisoners of war to a number of German and Austrian, referring them to the island of Martinique.

Postcard, edited by ELD, France. "Marine Nationale" "Descartes" - École of Canonnage. " 1918 ca.

Returning to the image in the background, three merchant ships with cranes for loading and unloading. Upon landing, April 21, the Americans captured three ships, the Monterrey, Mexico Esperanza, belonging to the U.S. and Cuba Steamship Company of New York, the three were unarmed.

The chances for us to image the last week of April or perhaps early May.

Mexican coasts were not only filled with American vessels, other nations with the intention of units sent to protect its interests in the Pacific and in the Gulf, the French had Jeanne cruises d'Arc, Descartes, Conde, Spain to the Emperor Charles V, the Germans in Dresden SMS in Tampico, Haiti Karlsruhe, Leipzig and Nuremberg in the Mexican Pacific coast, the British HMS Hermione and Essex in the Gulf and HMS Algerian and Shearwater in the Pacific, HMS Lancaster was available, and the Suffolk and Berwick from bases in British Honduras (Belize), Jamaica, the Japanese deployed to Izumo, Asama, and Hinz. Mayra Mendoza

Alchemy article tells us what was your source of research, a photo album belonging to the collection Teixidor, compiled by a German traveler or resident. It illustrates two dozen foreign vessels: "each one presents an overview of the cruise ship or by the name, to reflect the U.S. battleships, Germans and English who anchored in Mexican waters off the port jarocho. These are pictures taken between March and November 1914 ... "

The seemingly disproportionate deployment of the U.S. fleet, partly complied with the intimidating task of Mexico, but especially to neutralize a possible role of other nations with interests in Mexico , the so-called "Veracruz incident" not only led to the possibility of war between Mexico and the United States, also failed to start World War on the Mexican coast ...

Within the historical context that gives rise to the generation of the image, there is much more to say apart from the actual description of each of its elements the desolation ... word can be interpreted in two ways: to destroy, obliterate, or cause extreme distress.

The port of Veracruz was in no way physically devastated, destruction was minimal and very localized, to some Mexicans the fact of occupation was bleak, and not for others ... Let us explain better the picture is a clear reflection of the complexity of interests and interventions involved in called the Mexican Revolution was not a purely internal matter, although solved by force of arms was a matter of Mexicans. As has happened many times in the history of Mexico, the external influence determines the internal road map but not feel it or do not want to accept.

The military government established in the port of Veracruz, had no intention of imposing a trade embargo on Mexico, to prevent the importation or exportation of any merchandise, just to prevent the entry of weapons, and more technically only the character and military use This does not lead to the problem of defining when a weapon is not military in nature ...

The United States government could not find legal grounds to prohibit manufacturers and retailers in their territory, the arms trade with Mexico, but had no authority to exert similar pressure with other nations, therefore during Veracruz continued presence in the arms shipments arriving at the point of not having room to store them. They even led them underground, redirecting shipments originally destined for the Constitutionalists in Matamoros, Veracruz, and later facilitated its introduction.

John Mason Hart in his book "Revolutionary Mexico: The Coming and Process of the Mexican Revolution" tells how to Constitutionalist leader was so important port eviction or loss that would give them part of the armament, which sometimes indeed had not paid; The Duering Co, the largest of 48 German import companies established in Veracruz would demand the U.S. government to pay $ 19.751 dollars for the concept of weapons delivered to the Constitutionalists without paying.

Instead of having an uncompromising attitude towards the occupation and should correspond ... doing business. Even

military ships met acareo mission, the French cruiser Descartes return with a load of 7 tons weapons, including 500 45.000 Mausers and ammunition. In some cases like with the ship Krownprincessen Cecile, went back with all its cargo to the place of origin, Germany ... that was said officially, but on 23 November to take control of the port constitutionalists found a load of 6,300 kilos belonging the Krownprincessen Cecile.

According to research by John Mason, there is no accurate record of all shipments arrived during the period, far from its destination, as part mysteriously disappeared before the evacuation of the port, and one can infer that ended in the hands Carranzistas before the American withdrawal.

Madero revolution not succeeded by the ability to mobilize itself, or the brilliance of its military development, but for the support received by the United States, and lack thereof for the government of General Diaz, the shrewdly knew it and try to realize to save the ship in the best way, the survey organized by Pascual Orozco against the constituted government of Madero is the best example of what would have happened with Madero and his movement did not have U.S. support. The overthrow of Madero had the blessing of the U.S. embassy, \u200b\u200band the subsequent government was automatically cursed to again be the intervention of the northern neighbor that tipped the scales for the Constitutionalists, the destination government of the Convention decided by the U.S. president, not as we wanted to do with blind nationalism, the bloody battles among the different sides of the civil war. Alvaro Obregon deploy more strategic superiority, had not beaten Villa without the issue of arms supplies via Veracruz.

John Mason has established with the limited information available, that among the many things "held" in Veracruz, the Mexican army (Huerta) was ordered, among others: guns, rifles, carbines, shotguns, ammunition, barbed wire, guns, trucks, armored cars, shortwave radios, pistols, grenades hand, etc, etc., and 1,250 boxes of sodium cyanide, which when mixed with nitric acid or sulfuric acid, produces a deadly gas. This gas was used to control plagues of rats and insects on ships. In August 1914, the First World War started, toxic gases are used for the first time, the specific gas was used by the Nazis in gas chambers, and also use the Kurds against Saddam Hussein ... The

attributed to Hugo Brehme photo has said much, but that was the perception of the creator, or just was a good artistic composition ... was aware of what he was looking and therefore the proposal is chosen.

Although Hugo Brehme has been appointed as apolitical and neutral in many of the pictures attributed to him, we see a clear bias, a keen sense of social and political events ... regardless of artistic treatment.

How can we explain this difference in attitude or personality?

seem that in the work of two photographers Brehme with the same technical ability, artistic sensibilities, but with a different consciousness ...

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coincidence ... Another way to interpret the image:

San Juan de Ulua , English fort built to defend the port from attacks pirates, the last bastion of English presence in the land of the rising Mexican nation. Right direction.

Left, port facilities, recently reconstructed by the government Porfiristas, modern, international trade and its implications, foreign investment and its interests, even doctrines prevailing expansionist and colonialist.

left right intention, Mexico between independence and integration into the international context, subordinate to the great powers.

Between heaven and earth, the aqueous space of uncertainty, dominated by the steel of foreign military vessels. Their sterns point to the right ...

Towards acceding left right (diagonal), the floating dry dock, repair facility, the Mexican nation needs to go to the dam, but who will take care of maintenance ...

aureus In equilibrium the flagpole, acceding vertical direction, the labarum American rector of the whole movement ...